I’ve stepped into another world. This morning, I was sliding on black ice in a pre-dawn parking lot and this afternoon, I soaked in sunshine in the soft dry air of the desert. The city is filled with friends and beads. I showed Gail Moore and Susan Blessinger some of our beadwork, and they loved it, and that made me happy.
I’m hoping to engage each of them in a project- they both really loved the Digital Cuff, so hopefully there will be some exploration of that idea.

Wait until you see the pieces that Gabriella made. She played on the tiny horn motif in the DC and made a couple of matte cuffs that took our breath away. I am still absorbing their beauty and their genius. They are one of the things that we are saving for the book, so we haven’t shown photos of them yet.
I keep thinking what a privilege it is to render these shapes; they are not ours any more than mountains or ridges or stamens or stars are ours, but when they grow under our fingers, and then live as pieces, we feel a sense of birthing, or sculpting. And the sculpting feels more like revealing than coaxing; it’s simply a visual, dimensional expression of some mathematical pattern. The pattern is always there, and we simply choose to reveal it by cloaking it in matter. In this case, the matter itself is astonishing- a woven fabric of tiny tubes of glass, which was once sand.
By the way, did you see Jereon’s great shot of Kyle Cassidy photographing Doriot Lair? The series of shots of her coming down the street with the jumper cables (blue dress) or the big iron pry bar (red dress) are part of a series for Yet Another Project, more to be revealed Later.
Doriot is wearing the Snow Queen crown here, but you can’t really see it.

The only thing left that hurts on me now is an elbow, and maybe a toe or two. My hands feel limber and floaty; I could play piano, I could build a folly, I could open a jar. I wish I knew how much of my creaking immobility was psychosomatic and how much was real. I suspect it of reality, as when it first happened to me (after two years of living in the Monterey area) I had no idea what was going on. I thought I was just getting OLD. Gradually, I lost the use of my hands and simply stopped working.
Moving home to Tucson solved the problem- in a week I was back to normal, feeling like a kid again, working again. I am one of those people who would have been sent to Arizona for their health if I hadn’t already been lucky enough to grow up here.
Miss Fish has stuck to me since I arrived this noon, and we spent a lovely hour napping, with her completely curved into my body, her little paws around my neck. It reminded me of the sweetness of holding a little child. Bill has been nostalgic for our babies recently, and it’s rubbed off on me.
I find myself staring stupidly at my tall sons, remembering holding them, kissing their soft little heads, dressing them in little fluffy sleepers.
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